Tag Archives: Tarsem Singh

Review: Mirror Mirror

In Tarsem Singh I still trust. No, his films may not be the best of the best, but you can always count on Singh to wholly embrace whatever he’s working on, push the limits and, in turn, make it his own.

In the vain of the beloved fairytale, Mirror Mirror tells the story of Snow White (Lily Collins). After losing her father, the King, she’s got no choice, but to live with her stepmother, the Queen (Julia Robert), who, fueled by jealously, banishes Snow to her room in the palace. When her 18th birthday rolls around, Snow gets curious and sneaks out of the palace and into the town where she finds that no one sings and dances like they did during her father’s rule, rather are stricken by hefty taxes, taxes the Queen collects to throw lavish parties and perhaps one day another wedding.

When Snow White catches the eye of a Prince (Armie Hammer) the Queen wants for herself, the Queen sends Snow to her death in the woods. However, with the help of a band of dwarfs, not only does Snow survive the ordeal, but grows strong and determined to restore the kingdom.

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‘Mirror Mirror’ Set Visit: Tarsem’s Technique – The Madness and Genius of the Man Behind the Lens

Sure, The Cell made its 2000 debut in 2,411 theaters and Tarsem Singh himself made waves when his epic of a passion project, The Fall, finally hit theaters after years of development and production (including 17 years of location scouting and a four-and-a-half-year shoot in 24 countries), but it wasn’t until Immortals arrived back in November of 2011 that Singh finally earned more widespread clout for his mesmerizing visuals.

Even as Immortals was still in post-production, Singh was hard at work on what’s bound to be his next visual romp: his take on Snow White, Mirror Mirror.

Why Snow White?

Considering Singh’s resume, a family-friendly fairytale seems like a bit of an unusual choice, and his producer even thought so himself. Singh recalled, “I remember when they gave this to my producer, he said, ‘You’ll never get Tarsem to do a Snow White,’ and it was the only thing that I reacted to.” He added, “I just think that if I can look at something and I believe I can put my DNA on it, it’s usually what interests me.” While the Mirror Mirror script did catch Singh’s eye, he admits, “There’s nothing from the original script that I read that’s in it except for maybe one name. I tend to change a lot of these things and we did.”

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Review: Immortals

There are so many pieces to the filmmaking puzzle; it’s really no wonder so many movies can’t pull it all together. With the visual king, Tarsem Singh, behind the lens, Immortals was basically guaranteed to be imagery eye candy and, sure enough, Singh delivers big time. If only he’d learn to put the same amount of time and energy into honing his script, Immortals could have given 300 a run for its money.

Way back when, there was a brutal war that resulted in the gods ruling from Mount Olympus and the Titans entombed in Mount Tarturus. Determined to end the reign of the gods, in 1228 BC, King Hyperion (Mickey Rourke) sets out to hunt down the Epirus Bow, the weapon with the power to unleash the Titans. Right in the path of Hyperion’s destruction is Theseus’ (Henry Cavill) home, a small village nestled in a mountainside of the Kolpos Peninsula. Even with his deft fighting capabilities, Theseus alone is no match for Hyperion and his men and Hyperion butchers Theseus’ mother right in front of him. With the help of the oracle, Phaedra (Freida Pinto), as well as a band of slaves including the thief, Stavros (Stephen Dorff), Theseus sets out to stop Hyperion and avenge his mother.

Meanwhile, up in the clouds, the gods watch and bicker over the proper time to intervene. Riding on his faith in humanity, Zeus (Luke Cavill) demands that his children keep away from the mortals. Should they disobey his orders, he’ll put them to death. However, when necessary, the gods will make their move to ensure that the Titans never escape their tomb.

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SDCC 2011: All Good Things Must Come To An End … With A Giveaway!

I can’t believe it, but this is officially it; my coverage of San Diego Comic Con 2011 has come to a close. For five incredibly long days, the experience went by in a flash. The action was non-stop from the moment I touched down in San Diego and while it was extremely exhausting and probably one of the most trying working experiences I’ve ever gone through, it was beyond worth it.

So, what’d you think? Did you like my coverage choices? Were the formats I chose to report in effective? Do let me know because I’m thrilled to say, it looks as though I’ll be returning to Comic Con next year!

I do know I learned quite a few things for myself while out west. First off, I need to pack more food than a box of granola bars, or at least make time to pick up some items at a local supermarket. Between running around collecting coverage and then writing it up, there’s little to no time to grab a bite. Second, if I want to cover a panel, I’ve either got to get on line at about 5am or hunt down a press pass. I arrived for The Walking Dead panel over three hours early and the line to get into Ballroom 20 was already about 10,000 people long!

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SDCC 2011: Interviews With Immortals’ Henry Cavill, Kellan Lutz And More

He brought us The Cell and The Fall and now director Tarsem Singh is back, but in, well, a more commercial way. His latest film, Immortals, is a big-budget, effect heavy, action adventure featuring Theseus (Henry Cavill), a man hell bent on taking down the individual responsible for killing his mother, Hyperion (Mickey Rourke). Hyperion’s on a mission to find the invincible Bow of Epirus and will do whatever it takes and kill anyone necessary in order to get his hands on it. And that’s where the gods come in, as they’re left with no choice, but to intervene for the sake of humanity.

The Immortals showing at San Diego Comic Con consisted of yet another Hall H extravaganza after which the cast and crew hopped on the roundtable circuit for some far more low-key discussions. First up was a chat with the film’s producers, 300 duo Mark Canton and Gianni Nunnari. Canton joked they only took on Immortals out of desperation, but, in all seriousness explained, “We’re very driven by stories and character, the two of us.” In terms of what differentiates this swords and sandals film from 300, Canton assured, “The look, the style, the way we shot it, it’s all different.” Nunnari wittily pointed out, the connection might have come from the fact that they printed “From the Producers of 300” on the Immortals poster. Oh, and Canton prefers Equal to sugar. Hey, I can’t judge; I only use Sweet’N Low.

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SDCC 2011: Saturday Wrap Up And Photos

I can’t believe it, but I’ve reached the finish line. Saturday at San Diego Comic Con 2011 has come to a close. While I’m certainly looking forward to a long day’s rest and not having to lug my hefty laptop around everywhere I go, my coverage schedule wrapping up is a bit sad. At least it all ended on a high note.

Today was another non-stop adventure beginning with Summit Entertainment’s The Darkest Hour presentation. Unlike the big panels in Hall H, this was far more intimate, Summit inviting a group of reporters to a suite in the Hard Rock Hotel to check out some concept art, stills and the film’s trailer. Cast members Emile Hirsch, Max Minghella and Joel Kinnaman were in the house as producers Timur Bekmambetov and Tom Jacobson walked us through the event.

With a little time to kill before The Vampire Diaries press room, I hit the convention center floor to check out the action and snap a few photos one last time. However, some of my favorite images come from the point during which I made my way from the floor to the press room, the photos of the Game of Thrones house banners hanging in the second floor halls.

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Set Visit: Immortals Interviews

Big movie means a big cast, and a big cast means an abundance of set visit interviews. Not only did we get to speak with the man in charge himself, director Tarsem Singh, but Stephen Dorff (Stavros), Freida Pinto (Phaedra), Luke Evans (Zeus), Henry Cavill (Theseus), Kellan Lutz (Poseidon) and Isabel Lucas (Athena), too. Rather than forcing you to ogle your computer screen for hours sorting through transcriptions, I bring you the best of the best of each.

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