There’s a reason why Steven Spielberg is so successful; he knows how to make a movie for everyone. Jaws, E.T., Jurassic Park, Catch Me If You Can and more. Sure, not all of them can be considered pristine filmmaking, but still, generally all of his films are incredibly enjoyable and not only does War Horse follow suit in terms of entertainment and emotional value, but quality-wise, it’s certainly on the top tier.
After his pride gets the better of him during an auction, Ted Narracott’s (Peter Mullan) son, Albert (Jeremy Irvine), becomes responsible for making the young horse Joey worth the hefty price his father paid. Albert dedicates every waking hour to Joey, training him to pull a plow so the Narracott’s can get their failing farm back in order and keep them from losing their home. However, just when everything seems to be going to plan, Joey is snatched up by World War I.
Never forgetting Albert’s training and care, Joey goes on to ride with the English army as well as the German army, making additional bonds along the way including British soldier Captain Nicholls (Tom Hiddleston) and a young girl named Emilie (Celine Buckens). Meanwhile, Albert’s distracted from his longing for Joey by the war, getting thrown into battle himself.
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My inner fan girl takes over! Earlier this evening, Steven Spielberg took to the red carpet for his upcoming release, The Adventures of Tintin. Keep an eye out for the Tintin coverage closer to the film’s December 21st release, but for now, we’ve got something for all you Jurassic Park diehards out there.
As Jurassic Park is my favorite film of all time – yes, you can certainly quote me on that – it should come as no surprise that I legitimately wake up to the roar of Spielberg’s T-rex every morning. After schvitzing quite a bit as Spielberg made his way closer and closer to my spot on the pressline, the time came and I went with my gut – I whipped out my iPhone and showed Spielberg my alarm clock.
What better segue to ask about Jurassic Park 4? Sure, it’s been beaten to death at this point, but my T-rex wakeup call did lead to an enthusiastic, albeit new news-less, discussion. Check it out for yourself below.
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Filed under Interviews, News
Night at the Museum, Date Night, Cheaper by the Dozen. See a trend? Director Shawn Levy has a knack for making movies with a particularly wide appeal and his latest, Real Steel, is no different.
The film stars Hugh Jackman as Charlie Kenton, a former boxer forced to change with the times, hang up his gloves and get behind the controls of a robot that will do the fighting for him. A series of brash decisions leaves Charlie without a robot and nearly out of the business. Complicating matters further, Charlie’s ex passes away, leaving him with their young son Max (Dakota Goyo). However, what Charlie first sees as a major inconvenience not only helps him turn around his career, but his life too, as Max’s heart and enthusiasm is infectious.
And that’s not only in reference to Max’s effect on his father. In true Levy fashion, he brings us a child actor who’s wonderfully animated and impossible not to love. Combine that with the visual spectacle of massive robots going at it in the ring and you get Levy’s specialty, a film that aims to wow via incredible effects and wild scenarios, but not without infusing a great deal of heart.
In honor of Real Steel‘s October 7th release, Levy took the time to talk about bringing his robots to life, tracking down the ideal young actor to portray Max and much more. Check it all out in the interview below.
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If you’re going to make a movie called Cowboys & Aliens, there better be some cowboys and aliens. In combining the two genres, the filmmakers had two options, miraculously create some sort of scenario that feels raw and believable or just go all out, embracing absurdities of both. Forget the fact that the former would have been a near impossible achievement; who wants to watch some schmaltzy drama about cowboys fighting aliens? The filmmakers not only go for the latter option, but they strive to outdo any expectations we might have formulated and, sure, it’s ridiculous, but the big screen is one of the best places to live out such a ridiculous fantasy.
A man wakes up in the middle of the desert with a gash in his side and some ort of metal contraption on his wrist. He’s got no clue who he is, where he came from or what happened to him. It isn’t until he moseys into the nearest town that he discovers he’s a wanted man, Jake Lonergan (Daniel Craig). Too bad it’s the town sheriff (Keith Carradine) that makes the discovery, as Jake’s got no time to escape. Just before Jake’s about to be shipped out of town, Woodrow Dolarhyde (Harrison Ford) rides in demanding he serves Jake his justice as it’s his gold he stole. The boys are distracted from their bickering by strange lights in the distance. Within seconds, they’re dead overhead and aliens are raining down their firepower on the tiny Arizona town and snatching up the citizens.
When the battle’s over Dolarhyde and his men saddle up to hunt down a wounded alien that could potentially lead them to their abducted loved ones. He insists on somewhat pushing his differences with Jake aside, as that shackle on his wrist turns out to be their only defense against the invaders. Also along for the ride is a mysterious woman named Ella (Olivia Wilde) who insists that she and Jake can work together to bring an end to this.
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After months of mysterious and intriguing promotions, forming preconceptions about Super 8 is inevitable. Now that it’s finally arrived, the question is, does it make due on those expectations? Yes and no and that ambiguity is what makes this film so special and effective. Writer, director and producer J.J. Abrams, knows how to build hype and has no trouble handling it thereafter. Super 8 is what we’ve hoped for, but also so much more.
It’s 1979 in the small town of Lillian, Ohio, and Joe Lamb (Joel Courtney) and his friends are in the midst of a big production, a zombie film. With Joe on makeup duty, Carey (Ryan Lee) handling the fiery special effects, Preston (Zach Mills) stepping in as a background actor, Martin (Gabriel Basso) playing the detective and Charles (Riley Griffiths) behind the lens, all the boys are missing is their lead actress. That’s where Alice (Elle Fanning) steps in. The group hits the road and heads to the local train station where Charles sees an oncoming train as a timely “production value.” Well, that is until it crashes, kicking off a chain of events involving a complete army takeover of Lillian.
Joe’s dad, Jackson (Kyle Chandler), the town deputy, is forced to deal with the repercussions himself as the accident triggers a series of strange occurrences including missing dogs, appliances and people that send the town into a panic. With no valid explanation, Jackson must investigate himself all while dodging the intrusive and brutal tactics of Colonel Nelec (Noah Emmerich). Meanwhile, Joe and his friends attempt to finish their zombie film with the train crash site and army presence as yet another “production value.” However, those values ultimately lead them straight into an incredibly phenomenal and dangerous situation.
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