Tag Archives: Michael Fassbender

Review: X-Men: Days of Future Past

X-Men_Days_of_Future_Past_Poster2Sentinels, good, bad, future, past, who cares? This movie needs more Quicksilver!

The year is 2023 and the world is in ruins thanks to the mutant-hunting machines known as the Sentinels. You’d think Kitty Pryde (Ellen Page), Iceman (Shawn Ashmore), Bishop (Omar Sy), Colossus (Daniel Cudmore), Blink (Bingbing Fan), Warpath (Booboo Stewart) and Sunspot (Adan Canto) would make an unbeatable team, but back in 1973, Dr. Bolivar Trask (Peter Dinklage) fit his Sentinels with Raven/Mystique’s (Jennifer Lawrence) DNA, so now they’re able to adapt to anything, essentially making them immune to mutant-powered attacks. With the Sentinels closing in fast, the only chance the surviving X-Men have is to send Logan/Wolverine (Hugh Jackman) back in time to stop Trask from ever getting his hands on Raven’s DNA in the first place.

“X-Men: Days of Future Past” opens exceptionally well with the aforementioned team of mutants going head-to-head with a group of Sentinels. Not only does the sequence have the benefit of rocking the thrill that comes with bringing back X-Men favorites and uniting them with a few new players, but the action itself is remarkable. The fire, ice and purple portals pop right off the bleak background, the combat is tense, exhilarating and also builds character through mid-fight decisions and reactions before ultimately culminating in a string of moments that proves that in just a few minutes, you’ve come to care about all of these characters. Unfortunately, we don’t get much of that last element through the rest of the film.

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Review: 12 Years a Slave

12_Years_a_Slave_Poster1It’s impossible to call “12 Years a Slave” an enjoyable film, but it is exceptional in every respect, making it a warranted 133-minute nightmare.

Solomon Northup (Chiwetel Ejiofor) is a free man living happily and comfortably in upstate New York with his wife and two young children – until he’s abducted, shipped off to the south and sold into slavery.

“12 Years a Slave” is a beautifully brutal experience. Solomon is a loving father and husband who’s earned his good fortune, so watching him lose everything he holds dear in the most vicious manner possible is crushing. Hope and pray all you want; this movie is called “12 Years a Slave,” so no one’s coming to save the day. Solomon is heading straight towards years and years of slavery and that awareness infuses each and every step of his journey with an astronomical amount of dread.

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Review: Prometheus

prometheusposterThere are enough loose ends in life; who needs more via cinema? While few enjoy being jerked around by a convoluted plot there are also the films that don’t merely let you sit back, relax and enjoy the show; you’ve got to work for your entertainment. However, in Prometheus’ case, director Ridley Scott offers up the best of both worlds. You could put yourself on cruise control and enjoy an alien action movie, but it’s highly recommended to watch this one with a keen eye as the details are a stimulant, heightening that action and making Prometheus a notably enthralling experience regardless of some loose ends.

The year is 2089. Elizabeth Shaw and Charlie Holloway (Noomi Rapace and Logan Marshall-Green) have added yet another finding to their collection of symbols drawn repeatedly by entirely separate ancient civilizations. They deduce that these symbols are a star map and Weyland Corporation founder, Peter Weyland (Guy Pearce), opts to fund their expedition to a location pinpointed on this map.

Fast-forward to the year 2093. The crew of the Prometheus, including Elizabeth and Charlie, are waking up from an extended sleep during which, an android named David (Michael Fassbender), monitored the ship’s trip to a moon on that very map. Shortly after arriving, they spot structures and the ship’s captain, Janek (Idris Elba), sets Prometheus down nearby. With Elizabeth and Charlie at the helm, a group of crewmembers venture inside one construction to find what Elizabeth dubs “engineers” and believes preceded humanity.

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Review: X-Men: First Class

Don’t have the time or money to travel around the world? Just see X-Men: First Class. Within the first third of the film we jump from Poland to Switzerland to England to Vegas to Miami and more. But, of course, a little something is happening between jet setting. Well, actually, a lot of something.

After catching a glimpse of Erik Lehnsherr’s tortured childhood and Charles Xavier’s first run-in with Raven, ultimately Mystique, when he was just 12-years-old, we fast forward to 1962. Erik’s (Michael Fassbender) busy hunting down Sebastian Shaw (Kevin Bacon), the man responsible for murdering his mother in a Nazi concentration camp and turning Erik into the metal bending monster he is today while Charles is hard at work at Oxford pursuing his doctorate in genetic mutations. After a hefty dose of information involving Shaw’s hand in potentially kicking off a third world war, Erik and Xavier finally cross paths.

No, they don’t play chess in the sunlight. Oh, wait; they do. But they also join forces to train a group of young mutants in an effort to build an army to rival Shaw’s. With the help of CIA Agent Moira MacTaggert (Rose Byrne), they teach Havok (Lucas Till) to harness his firepower, Banshee (Caleb Landry Jones) to fly and both Mystique and Beast to embrace their, well, blue sides. As the US and Russia grow dangerously close to kicking off a nuclear war, Erik, Xavier and their new team are the only ones powerful enough to stop it.

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