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Review: The Eagle

Who better to star in a swords and sandals movie than Channing Tatum? He’s basically built for the role. However, just because he looks good in Roman soldier garb doesn’t mean he can act like one. In fact, after The Eagle, it’s impossible not to recognize the fact that Tatum might not be able to act at all. Then again, all the blame can’t fall on this film’s star. Not only is director Kevin Macdonald to blame for the incredible amount of missed opportunities, but so is writer Jeremy Brock for adapting Rosemary Sutcliff’s book into a screenplay that, to a point, permits the stars to have the emotional range of a block of wood.

Tatum is Marcus Aquila, the son of Flavius Aquila, the man who led Rome’s Ninth Legion into the tumultuous land of Caledonia only to lose 5,000 men, Rome’s beloved golden eagle and his own life. Twenty years later, in 140 AD, Marcus is determined to clear his family name and begins his attempt to do so by assuming the top post at a disorderly fort. When they’re attacked, Marcus selflessly risks his life for the safety of his men and for that he’s awarded a top military honor, but also receives an honorable discharge. He’s left severely crippled with no chance of achieving his goal.

It isn’t until Marcus spares the life of a slave, Esca (Jamie Bell), that he begins to heal and his hopes to restore his family’s name become a top priority yet again. Marcus’ Uncle Aquila (Donald Sutherland) purchases Esca and names him Marcus’ personal slave. Insisting he has no need for a servant, Marcus is resistant to Esca’s presence, but the two soon grow close to one another. When Marcus hears a rumor that the golden eagle has been spotted, their newfound friendship is really put to the test. Together, they ride into the brutal land of Caledonia to do the impossible and bring the golden eagle home to Rome.

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