When the trailer for “Zero Dark Thirty” plays before a screening of “Argo,” you can’t help but to wonder if our society is crazy for having turned these devastating and/or historically significant events into sources of entertainment. However, as someone who wasn’t around during the Iran hostage crisis, the fact that I was moved enough by “Argo” to go home and Google until I had a thorough understanding of the situation goes to show that Ben Affleck did a better job than my history teachers ever could.
Centered on the true events of the Iran hostage crisis, “Argo” begins with the revolutionaries storming the U.S. embassy in Tehran. All of the embassy employees are taken hostage save for six who seek refuge at the Canadian ambassador’s home. The revolutionaries are unaware of the escape, but are slowly piecing together the paperwork the staff desperately shredded mere moments before the invasion, so it’s only a matter of time before they assemble the office roster including pictures of each and every employee.
Back in the U.S., the State Department works to figure out a way to get the six out safely and discreetly. Exfiltration expert Tony Mendez (Ben Affleck) proposes the idea of using a Canadian film as a cover. In an effort to make the endeavor as thorough as possible, Tony joins forces with make-up artist John Chambers (John Goodman) and producer Lester Siegel (Alan Arkin) to make the sci-fi film “Argo” a semi-reality.
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