The precision and grit of “District 9” are in there, but Neill Blomkamp’s choice to indulge in his bigger budget by throwing in every advanced technology he could conjure up dilutes the more thoughtful, raw components of “Elysium.”
In the year 2154, the rich live in space on Elysium while the poor reside in the overpopulated slums left on Earth. While President Patel (Faran Tahir) Secretary of Defense Delacourt (Jodie Foster), and the rest of the elite enjoy beautiful weather, enormous houses, and machines that can correct any illness in an instant, folks like Max DeCosta (Matt Damon) risk their lives to survive down below.
When a lethal dose of radiation leaves Max with just five days to live, he knows that it’s now or never. He must get up to Elysium. In an effort to earn himself a seat on a rogue ride to the space station, Max accepts a mission from Spider, an underground leader of sorts, to steal pivotal information from Armadyne CEO John Carlyle’s (William Fichtner) head and download it into his own. Little does Max know that that data will put him right in Delacourt’s line of fire and, therefore, make him Kruger’s (Sharlto Copley) primary target.
Click here to read more.
The first rule of San Diego Comic-Con is that there’s absolutely no way to get to everything. The second rule of San Diego Comic-Con (or SDCC) is … try to get to everything. And we here at Movies.com will attempt to do just that, or at the very least bring back a taste of the big events everyone will be talking about come this time next week.
What are some of those events, and what should you expect from our coverage? Click through to find out what we’re looking forward to most as the country’s biggest geek-friendly convention prepares to infiltrate our nerdy hearts later this week.
Click here to read more.
When you’ve got a movie called Motherhood, it’s naturally assumed the film is mom material only. The Motherhood PR team even made an extra effort to have a number of mom bloggers participate in the roundtables. Yes, Motherhood is about, well, motherhood, but there’s also a much deeper meaning behind the portrayal of a day in the life of mother of two, Eliza (Uma Thurman).
Much of the roundtable questions probed the film’s writer and director, Katherine Dieckmann, about her child raising philosophies and experiences, so I used my one-on-one time to investigate Dieckmann’s implementation of those elements to create an entertaining and meaningful movie.
The interview is fairly long, 18 minutes, so I chopped it up into two pieces. The first half primarily addresses Dieckmann’s inspiration and how Motherhood, contrary to popular belief, can be a movie for anybody. One particularly intriguing portion of this half of the interview is when Dieckmann tells me about the movie poster. As I said in my review of Motherhood, I’m not a fan of the poster. I still think a poster’s effectiveness can be assessed by a person’s initial reaction to the image, but Dieckmann enlightens me on the deeper meaning beyond its face value.
In the latter half Dieckmann goes into detail on the casting process. She tells me a little something about everyone from the film’s leading lady to the talented young actress who plays Eliza’s six-year-old daughter Clara (Daisy Tahan).
Click here to watch the interview.