Quite clearly director Nicolas Winding Refn worked hard to bring Drive to life in the most appropriate way possible and, in turn, we get a movie that requires a degree of personal investment. Drive isn’t the type of film that lays out its plot points and lets you follow along, rather something that gives you incredible access to the main players, compelling you to become part of the action. At times, the need to decipher the details can be frustrating, but Refn duly rewards you for your work.
Ryan Gosling stars as an unnamed stunt driver and auto mechanic. When not working for Shannon (Bryan Cranston) on movies sets or in his garage, he’s moonlighting as a getaway driver. After a hard day’s work, he heads home to his apartment, which is right down the hall from Irene (Carey Mulligan) and her son Benicio (Kaden Leos). With Benicio’s father in prison, there’s a void in their lives, a void that Gosling’s character happily and humbly fills.
This synopsis must be kept light, as one of Drive’s most effective assets is its ability to keep you guessing. To give you a hint at where the action heads, Irene’s safety is threatened by a pair of notorious mobsters, Nino and Bernie Rose (Ron Perlman and Albert Brooks), and Gosling’s driver steps in to keep them from hurting her or Benicio.
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