It’s tough enough to perform in a film loaded with heart, military logistics, and action, but in Lone Survivor, Mark Wahlberg, Taylor Kitsch, Emile Hirsch and Eric Bana were also tasked with delivering an authentic and admirable representation of real Navy SEALs who lost their lives in the hills of Afghanistan during a devastating mid-mission attack.
With the film now playing in limited release and its January 10th nationwide expansion approaching, all four actors sat down for a press conference in New York City to talk about working with the sole survivor of the real-life ambush, Marcus Luttrell, the connections they built with members of the SEAL community, the pressure to honor their sacrifice, and more.
Click here to read the interview.
Antiheros can be a blast to watch on screen; there’s just enough heart to them to get you on their side, but at the same time, they’re deplorably ruthless. So is the case with Eric Bana’s Addison in Deadfall and on top of having him whip your perception around incessantly, there are a number of other lives at stake, making the situation wildly unpredictable and unnerving.
Bana and Olivia Wilde are Addison and Liza, a brother and sister that just wrapped a successful casino robbery. While trying to make their escape to Canada, their getaway car crashes, leaving their driver dead and Addison and Liza no choice, but to evade the police by foot.
They split up, Addison heading into the woods and Liza taking the road. Lucky for Liza, as a blizzard sets in, she comes across Jay (Charlie Hunnam), an ex-con heading home for Thanksgiving, and hitches a ride to a nearby hotel and bar to wait out the storm. Unfortunately for Addison, he’s stuck in the woods and the local police are hot on his trail.
Click here to read more.
Who likes standing outside in the snow and freezing cold for hours on end? No one, but having material like Zach Dean’s screenplay for Deadfall and collaborators like director Stefan Ruzowitzky, Eric Bana, Olivia Wilde, Charlie Hunnam, Sissy Spacek, Kris Kristofferson and Kate Mara certainly helps.
Bana and Wilde lead as Addison and Liza, siblings who just pulled off a casino heist. However, while making off with their loot, they get into a car crash leaving them no choice, but to escape on foot. They split up, Addison heading into the woods and Liza taking the road where she hitches a ride with Jay (Hunnam). While she’s all comfy cozy at a local bar and motel, Addison is out battling subzero temperatures and the local cops for his freedom and life.
As Deadfall just made its big debut at the Tribeca Film Festival, Ruzowitzky and Bana were in town to discuss the project. We run through everything from getting into Addison’s head to working with a powerhouse ensemble cast to working on the more physically demanding moments and more. Give it a watch for yourself in the video below.
Click here to watch the interview.
When a film involves icy temperatures, snowy terrain and an incredibly ruthless main character, you’d think a director would be a bit intimidated to give it a go, but Stefan Ruzowitzky was thrilled to take on Deadfall.
The film stars Eric Bana and Olivia Wilde as Addison and Liza, a brother sister duo who just robbed a casino. They get the cash and are seemingly in the clear until their getaway car crashes, killing the driver and leaving Addision and Liza without a way out. They opt to split up, Addison heading into the snow-laden woods and Liza hitting the road until an unsuspecting motorist, Jay (Charlie Hunnam), gives her a ride to the nearest hotel – and takes it upon himself to keep her company. Part family drama and part thriller, Addison and Liza must fight through emotional and psychical struggles to evade the local police and reunite.
Having celebrated Deadfall’s world premiere at the Tribeca Film Festival, Ruzowitzky was in town and sat down to talk all about the challenging production process from the chilly temperatures to the expected problem involving their snow substitute. Hear all about that and much more in the video interview below.
Click here to watch the interview.
After Pride & Prejudice and Atonement, it was quite clear that director Joe Wright was capable of great things, however, nothing can prepare you for the greatness that is his latest feature film, Hanna. It’s a visual and mental action adventure film packing enough energy and suspense to blow you right out of your seat and the best part about it is none of those effects are achieved using cinematic copouts, cheesy effects or any stale parlor trick. Hanna is powered by all-around genuinely thoughtful filmmaking and one heck of a performance from Saoirse Ronan resulting in a tense, funny, touching and, overall, wildly enjoyable experience.
Deep in the frigid forest of North Finland, Hanna (Ronan) lives with her father, Erik (Eric Bana), in a primitive cabin without a trace of modern technology. Rather than surfing the Internet and hanging out with friends, this teenager is learning to fight, hunt and speak Spanish, Italian and Arabic amongst other languages. Erik’s methods can be a bit callous, but they’re rooted in his deep love for his daughter and for her safety. However, eventually the day comes when Hanna must leave this life behind, enter the real world and demonstrate that she really is a perfect assassin.
Without her father’s guidance, Hanna is forced to complete her mission alone. She must travel through foreign lands with nothing except what her father taught her while a hardened intelligence operative, Marissa Wiegler (Cate Blanchett), and her coldblooded associates follow right behind. The closer Hanna gets to her destination the more she discovers about her father, her pursuer and herself, all of which boil over into an extremely trying revelation.
Click here to read more.