Tag Archives: End of Watch

‘End of Watch,’ and How to Keep the Found-Footage Genre Fresh

The found-footage genre has come a long way since The Blair Witch Project back in 1999, or perhaps I should say since Cannibal Holocaust from 1980. But it was really Blair Witch that kicked off the filmmaking craze and made it accessible for moviegoers. That film, about a trio of film students who head out into the woods to make a documentary about the Blair Witch, arrived with the premise that the students went missing, but their footage was found. Thus, the found-footage genre (as its come to be known) was reinvented for the masses.

Why are you filming yourself?

After attempting to make my own mini-found-footage film while running through The Walking Dead Escape at San Diego Comic-Con, I can confirm that it’s absolutely impossible for someone to run from a witch or any kind of monster and still manage to shoot watchable footage. Your life vs. camera stability? I wonder which you would pick. But hey, this is the film industry we’re talking about — it’s okay to bend the believability rules a bit.

However, it’s not okay to 1) give a character a lame reason to be filming him or herself, or 2) offer absolutely no reason for a character to be filming him or herself. The documentary angle is generally a good play. It works in both Blair Witch and Troll Hunter. On the other hand, the excuse of needing to show people how something is really going down can be absurd. Cloverfield is lucky it’s so enthralling, otherwise I’d seriously be questioning Hud’s judgment. Then again, that concept does work a little better in REC and Quarantine. Something terrible is happening, but the people who are supposed to rush in and save the day are leaving victims to die in a nightmarish apartment building. Something isn’t right and the public has to know.

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Best/Worst Movie Promos of the Week: ‘End of Watch,’ ‘This is 40,’ ‘High School,’ ‘The Expendables 2’ and More

Having too much of a good thing can go either way, but when it’s in your favor, boy is it a thrill. In Prometheus’ case, should Twentieth Century Fox keep the promo material coming, I’ll continue to eat it all right up. The latest to hit is a new featurette that not only offers more behind-the-scenes footage, but breaks down the production by story, cast, sets and the world, and while it’s immersive and informative, it’ll never be enough. We need the full feature. And you know what? Even when that feature does come and go, I suspect this is a world we’ll be eager to return to.

The Dark Knight Rises finds similar, but perhaps not as much success with its third trailer. The closer we get to the film’s July release, the more Bane comes into focus, the more we see of Bruce Wayne’s trajectory and the more we feel the devastation of the franchise’s third installment. The rather sweet orchestral tune paired with widespread destruction gives the piece an eerily beautiful sense of hopelessness, but doesn’t leave you hanging, giving just the lightest amount of faith courtesy of a powerful and action-packed build before the trailer’s end.

Clearly this week it was a tough race for those top three spots, but what it came down to was the fact that anticipation is already sky high for Prometheus and The Dark Knight Rises. Sometimes it’s that eagerness to root for the lesser-known or the emergence of new intrigue that comes with an extra degree of excitement.

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