Tag Archives: Christopher Nolan

Review: The Dark Knight Rises

Hype is great, especially with this industry, but if you’re going to play the role of the most anticipated film of the summer, you’ve got your work cut out for you. And that’s on top of having to live up to an Academy Award winning predecessor.

After a brief look at Commissioner Gordon (Gary Oldman) speaking at Harvey Dent’s funeral, “The Dark Knight Rises” takes us eight years into the future. Bruce Wayne (Christian Bale) is a recluse and Batman is nowhere to be found having been blamed for Dent’s murder, but, as Batman and Gordon hoped, the resulting Dent Act successfully keeps criminals at bay in Gotham City – that is until Bane (Tom Hardy) arrives.

Why not answer the big question right off the bat – does “The Dark Knight Rises” live up to the hype? Yes and no. What? You didn’t actually think it’d be a clear-cut answer, did you? Perhaps this little carrot diagram might help – “Batman Begins” < “The Dark Knight Rises” < “The Dark Knight.” While “The Dark Knight Rises” may not be the movie of all movies, lead to world peace or even just be the best of the best of Christopher Nolan’s Batman trilogy, it’s got a lot going for it.

Click here to read more.

2 Comments

Filed under Reviews

SDCC 2012: Batmobiles Through The Years

Just before heading into The Hilton Bayfront for the “Twilight” press conference, I spent a few minutes with six truly wicked rides. You’d think seeing the Tumbler and Bruce Wayne’s other whips merely parked on the grass rather than zipping around Gotham City would be a bit of a drag, but these things are just as incredible stagnant, in the flesh.

Check out some photos as well as official descriptions of the collection below.

Adam West’s 1955 Lincoln Futura. Designed by George Barris, this original Batmobile was featured in the cult classic television series and 1966?s Batman, the Movie.

Click here to read more.

Leave a comment

Filed under Features

Oscars 2011: Forget Who Should Win, This Is Who I Want To Win

With just a day left to go until the big show, I’d like to bet you’ve had enough Oscar predictions – especially considering quite a handful of the biggest honors are considered locks. Well, I offer you something a little different; not who I think will win, but who I think should win.

Best Picture: The King’s Speech
Every Best Picture nominee achieves some degree of filmmaking prowess, otherwise, they wouldn’t be nominated in the first place. Rather than pick apart the elements and compare the contenders by the writing, directing acting, etc., this category comes down to something far simpler, yet something tougher to achieve – poignancy. Which of these films moved me most? Toy Story 3 left me in tears, 127 Hours with a knot in my stomach and Inception with my head spinning, but it was The King’s Speech that was overwhelmingly rousing. This is such a special film for so many reasons and those reasons will likely be rewarded in the other categories, but in terms of the Best Picture Oscar alone, my fingers are crossed for The King Speech based on its incredible ability to connect my heartstrings to those of the characters in the film and tug on them all the way through.

I’ll Be Pissed If This Wins: Inception
Inception may be endlessly interesting and responsible for countless summertime debates, but an Oscar for Best Picture? Come on. On top of that, even after all the discussions, who can say they really understand the movie through and through? It was fun while it lasted, but Inception’s infinite twists and turns aren’t enough for the film to stand the test of time as well as its contenders.

Click here to read more.

Leave a comment

Filed under Features

Defending Bad Movies: Grease 2

It’s sad to say, but the summer is coming to a close. It’s even sadder to say – for some – that another school year is about to begin. About this time every year, I get a song stuck in my head. Well, two. First is Billy Madison’s back to school song. You know, “Back to school. Back to school, to prove to Dad that I’m not a fool. I got my lunch packed up, my boots tied tight, I hope I don’t get in a fight.” The second comes from a movie with somewhat more acceptable classroom behavior, but also one that’s underappreciated, Grease 2. “I gotta go back, back, back to school again.”

When you’re following in the footsteps of a film as beloved as Grease, you’re practically in a lose-lose situation. There was really no way director Patricia Birch could top Randal Kleiser’s work and Max Caulfield and Michelle Pfeiffer were just no match for the ultimate duo, John Travolta and Olivia Newton-John. You know what you do when there’s just no way of being the best? You settle for mediocre and just have a blast with it. And that’s exactly what Grease 2 is; a so-so film that gets major bonus point for being such a damn good time.

Click here to read more.

Leave a comment

Filed under Features

Review: Inception

Why do we dream? Does anyone really know for sure? Probably not, but writer-director Christopher Nolan takes a stab at breaking down the structure of a dream and the influence of the subconscious in Inception. There’s nothing more perplexing than the unknown and Nolan uses that to his advantage. It’s one thing to simply make up a story about a theoretical concept, but it’s another to come up with a scenario and actually make it feel real and that’s exactly what he achieves in Inception. It may be Nolan’s dream world, but it’s so exciting, so disturbing and seems so authentic, you might start to wonder.

Dom Cobb (Leonardo DiCaprio) is an extractor. He’s employed to sneak into people’s dreams and steal their secrets. Turns out the gig comes with some serious baggage and Cobb wants out, but the only way he can safely return home is by completing one last job for a businessman named Saito (Ken Watanabe). The problem is, Saito doesn’t want Cobb to snatch someone’s secret information, he wants him to do the unthinkable, plant an idea in a subject’s mind – inception.

Click here to read more.

Leave a comment

Filed under Reviews