The key to restarting a zombie’s heart is a pretty girl. The key to making a big screen supernatural/human relationship work is lightening up.
We’re in the midst of a zombie apocalypse and R (Nicholas Hoult) is amongst the living dead. He calls a defunct airport home and spends his days lumbering around, occasionally bumping into or grunting at his zombie cohorts until they’re hungry enough to venture into the big city for some eats. While R does find something tasty to gnaw on, he also encounters some unexpected eye candy – Julie (Teresa Palmer). Rather than make Julie the next item on his menu, R vows to keep her safe, shielding her from his flesh-eating buddies and escorting her to the airport.
A vampire/human romance is one thing, but a zombie/human relationship is an especially tough sell. The “Warm Bodies” book takes itself very seriously but, thanks to effective narration, quality character development and the power of a reader’s imagination, it’s easy to get on board. With the audience’s imagination no longer in play with the big screen version, presenting “Warm Bodies” in a dark, dramatic fashion would have made it nearly impossible to convey the story in a believable manner. However, Jonathan Levine manages to adapt the source material in the best possible way, keeping key plot points and character details intact, but infusing the tale with an unexpected yet wildly appropriate degree of humor.
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In a post-apocalyptic world ridden with zombies, the goal is always not to become one yourself. But c’mon, who hasn’t wondered what they’d look like lumbering around decked out in grimy zombie garb? Well, my day in the living dead spotlight finally arrived! I got the opportunity to hit the set of Jonathan Levine’s Warm Bodies, have the life sucked out of me and join R (Nicholas Hoult) on set for a run-in with the Bonies.
Things kicked off bright and early with a group of nice, clean reporters congregating in a hotel lobby, waiting for the production van to arrive and take us to set at the Montréal-Mirabel International Airport, a location you might remember from The Terminal. However, Hugo Boss and Viktor Navorski’s home sweet home, Gate 67, are long gone and the location has been transformed into the Isaac Marion International Airport, named after the author of the book Warm Bodies.
“We try to make people look like these are the clothes they wore when they died …”
But before we trekked through the airport ruins, it was straight into wardrobe. For those of you who’ve met me in the flesh, you know I’m more of a jeans, T-shirt and Vans type of girl. Apparently nobody informed the Warm Bodies wardrobe department because there was a low-cut shirt, skirt and high-heel boots waiting for me to slip into. As costume designer George L. Little explained, “We try to make people look like these are the clothes they wore when they died, not just a costume, so try to dress to the face before the makeup.” I don’t know what it is about my face that says business lady, club-goer crossover, but hey, I’m about to become a zombie — might as well go all in!
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