Tag Archives: Aaron Sorkin

Review: Moneyball

It’s pretty obvious that the sports genre has a tendency to revel in formulaic inspirational storytelling. But, when you’ve got a true story with a happy ending, isn’t that effect almost inherent? According to Moneyball, no. Is that a good thing? It depends what you’re looking for.

Brad Pitt is Billy Beane, the general manager of the Oakland A’s coming off a hot season. However, as Billy frequently says, nobody remembers you when you lose your last game of the season and in 2001, the A’s lost to the New York Yankees in the playoffs. And that’s not even the worst of it. Billy is about to lose his three hottest players and has just $38 million to recoup his losses, a fraction of the budget of most MLB ball clubs.

In comes Jonah Hill as Peter Brand, a Yale graduate with a pension for baseball. Billy snatches him up from an entry-level position with the Cleveland Indians and makes Peter his assistant GM. Together they use Peter’s computer-based system to put together a championship team on a budget. While most look at players like the injured catcher, Scott Hatteberg (Chris Pratt), and 37-year-old David Justice (Stephen Bishop) as liabilities, Peter and Billy see them as cheap grabs with promising skills.

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Oscars 2011: Forget Who Should Win, This Is Who I Want To Win

With just a day left to go until the big show, I’d like to bet you’ve had enough Oscar predictions – especially considering quite a handful of the biggest honors are considered locks. Well, I offer you something a little different; not who I think will win, but who I think should win.

Best Picture: The King’s Speech
Every Best Picture nominee achieves some degree of filmmaking prowess, otherwise, they wouldn’t be nominated in the first place. Rather than pick apart the elements and compare the contenders by the writing, directing acting, etc., this category comes down to something far simpler, yet something tougher to achieve – poignancy. Which of these films moved me most? Toy Story 3 left me in tears, 127 Hours with a knot in my stomach and Inception with my head spinning, but it was The King’s Speech that was overwhelmingly rousing. This is such a special film for so many reasons and those reasons will likely be rewarded in the other categories, but in terms of the Best Picture Oscar alone, my fingers are crossed for The King Speech based on its incredible ability to connect my heartstrings to those of the characters in the film and tug on them all the way through.

I’ll Be Pissed If This Wins: Inception
Inception may be endlessly interesting and responsible for countless summertime debates, but an Oscar for Best Picture? Come on. On top of that, even after all the discussions, who can say they really understand the movie through and through? It was fun while it lasted, but Inception’s infinite twists and turns aren’t enough for the film to stand the test of time as well as its contenders.

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