Tribeca Review: Byzantium

Byzantium_PosterSaoirse Ronan and Gemma Arterton are captivating enough, but this hybrid drama-period piece lacks the zest, pace and tension you’d expect from a film digging into the repercussions of vampirism.

Clara (Arterton) and her daughter Eleanor (Ronan) may be able to conjure their pointy nails, draw blood, and suck a victim dry, but making enough money to put a roof over their heads is a different story. Over two centuries after leaving their humanity behind to become vampires, the pair is still on the run, struggling to support themselves and keep their condition a secret. While Clara resorts to former human habits, making a living via prostitution, Eleanor consoles the elderly, putting those who are ready out of their misery.

When a run-in with someone connected to their past turns bloody, Clara uproots Eleanor yet again and the two set out to find a new home. Having just lost his mother, Clara befriends the lonely Noel (Daniel Mays) and convinces him to let her and Eleanor live with him at the property he just inherited, a hotel called Byzantium. While Clara runs her brothel out of their new abode, Eleanor reluctantly strikes up a relationship with Frank (Caleb Landry Jones), a connection that tempts her to finally reveal her unique history.

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